Back in January at the height of another lockdown I spotted an open call for submissions from Workhorse Collective. They were looking for photographs for the next issue of their WerkHaus zine with the theme Still Life, hoping to inspire fellow photographers to get their cameras out and use this strange suspended time to create something.
At the time I wasn’t feeling up to much, especially not creatively but as soon as I saw the theme, I remembered a few photos I had wanted to work on and they happened to fit perfectly. I immediately got to work creating the image I had seen when I had first taken the photos in December and working on that submission was not only a little bit of joy during a difficult time, it also gave me both my focus and motivation back. Even after I submitted my entry, I continued to work on other photography projects for a few hours every day, which ended up helping me get through the fluidity of the days in lockdown.
Working on my submission for the zine would have been worth it just for that but then summer arrived and I found out my photo had made it into the final selection. It arrived in the post in July and I was blown away when I saw everyone else’s photos and the quality of the editing, so I feel proud to have been a part of it and have also discovered a few new photographers to look out for.
Workhorse Collective is selling both print and digital editions of Issue 2 of the zine on their website here. If you prefer to buy your zines in a physical shop, it is also being sold in The Photographer’s Gallery bookshop in London.
- Lea